https://elenaapostolovski.com/home 2022-12-16T20:11:46+00:00 always 0.5 https://elenaapostolovski.com 2026-03-28T16:25:57+00:00 always 0.5 https://freight.cargo.site/t/original/i/I2396754299249253935928161195696/WhatsApp-Image-2025-06-09-at-21.11.17.jpeg https://freight.cargo.site/t/original/i/X2396784180133854758050508166832/At-Once.jpg https://elenaapostolovski.com/spinning-logo-1 2026-02-09T17:09:25+00:00 always 0.5 https://freight.cargo.site/t/original/i/D1148673676538550324414830684764/oi4.svg https://freight.cargo.site/t/original/i/W2782656706547366847440218347184/E004_color.png https://elenaapostolovski.com/homepage-small-texts-top- 2026-02-06T21:22:58+00:00 always 0.5 https://elenaapostolovski.com/mobile-header 2026-03-02T19:37:30+00:00 always 0.5 https://elenaapostolovski.com/content-pages 2026-02-06T21:22:59+00:00 always 0.5 https://elenaapostolovski.com/info-and-index-link-desktop 2023-03-27T22:42:25+00:00 always 0.5 https://elenaapostolovski.com/edition-1 2026-02-06T21:22:59+00:00 always 0.5 https://elenaapostolovski.com/meanwhile,-in-the-glossy-interface-1 2026-02-06T21:22:59+00:00 always 0.5 https://freight.cargo.site/t/original/i/E2684911912809262742960517535408/20240725_Novo_Meanwhile_HelenaRoig_0274-HDR.jpg Carmen Roca Igual, Novel https://freight.cargo.site/t/original/i/P2684913005815742598398869886640/20240725_Novo_Meanwhile_HelenaRoig_0480.jpg Dora Brkarić, S T R I P T E A S E, performed together with Iva Katarinčić https://freight.cargo.site/t/original/i/A2684913293732524100857551509168/20240725_Novo_Meanwhile_HelenaRoig_0316-HDR.jpg https://freight.cargo.site/t/original/i/Y2684914524443948466537706673840/20240725_Novo_Meanwhile_HelenaRoig_0134.jpg https://freight.cargo.site/t/original/i/L2684915488913515616367903364784/20240725_Novo_Meanwhile_HelenaRoig_0002.jpg Helena Roig Prats, Existing online is selling our bodies https://freight.cargo.site/t/original/i/K2684927061312389561391723697840/20240725_Novo_Meanwhile_HelenaRoig_0226-HDR.jpg https://freight.cargo.site/t/original/i/B2684927718772795092473852843696/20240725_Novo_Meanwhile_HelenaRoig_0405.jpg ‘To find myself again’ window installation by Carmen Roca Igual https://freight.cargo.site/t/original/i/H2689896066537355598381615273648/20240725_Novo_Meanwhile_HelenaRoig_0148.jpg https://freight.cargo.site/t/original/i/A2692541263303033859023802062512/20240725_Novo_Meanwhile_HelenaRoig_0451.jpg Dora Brkarić, S T R I P T E A S E https://freight.cargo.site/t/original/i/I2692552851363193522627031717552/20240725_Novo_Meanwhile_HelenaRoig_0423.jpg https://freight.cargo.site/t/original/i/L2692555461909521345855357310640/20240725_Novo_Meanwhile_HelenaRoig_0391.jpg WHERE: GALLERY NOVO, PULA, CROATIA. WHEN: SUMMER 2025. THANKS TO METAMEDIA ASSOCIATION AND STROOM DEN HAAG. EXHIBITION DOCUMENTATION BY HELENA ROIG PRATS. https://freight.cargo.site/t/original/i/C2782454830379291814082621331120/20240725_Novo_Meanwhile_HelenaRoig_0226-HDR.jpg WHERE: GALLERY NOVO, PULA, CROATIA. WHEN: SUMMER 2025. THANKS TO METAMEDIA ASSOCIATION AND STROOM DEN HAAG. EXHIBITION DOCUMENTATION BY HELENA ROIG PRATS. https://elenaapostolovski.com/click,-post,-play 2026-02-22T17:15:14+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2684966263539685013761307301552/apatiaydevocion5.jpg <div style="text-align: right">Carmen Roca Igual, Apatia y Devocion</div> https://freight.cargo.site/t/original/i/Q2684986798455187867234166232752/Reprodukcije_001.jpg https://freight.cargo.site/t/original/i/K2689877558992813421883317147312/Dora-Brkaric---Striptease---izvodi-Iva-Katarincic---foto-Galerija-MK-.jpg Dora Brkarić, Striptase, dancer: Iva Katarinčić https://freight.cargo.site/t/original/i/S2782459279088326350246636803760/Dora-Brkaric---Striptease-.jpg https://freight.cargo.site/t/original/i/M2806389710606020883504265811632/apatiaydevocion2.jpg https://elenaapostolovski.com/what-the-swans-are-twittering-about-in-the-riverbed 2026-02-09T17:09:24+00:00 always 0.5 https://freight.cargo.site/t/original/i/O2684993466934723769163365865136/ArianeToussaint_What-the-swans-expo-1.jpg What the Swans Are Twittering About in the Riverbed at Trixie The Hague (on the corner from the Hague’s Red Light District) https://freight.cargo.site/t/original/i/Q2684993600212449701714876290736/ArianeToussaint_What-the-swans-expo-2.jpg https://freight.cargo.site/t/original/i/P2684993705783166035554640189104/ArianeToussaint_What-the-swans-expo-4.jpg Katayoon Barzegar, Replica, sculpture (and video) https://freight.cargo.site/t/original/i/T2684993807830554251315879728816/ArianeToussaint_What-the-swans-expo-7.jpg Julia Sterre Schmitz, Speaking in Tongues, video https://freight.cargo.site/t/original/i/G2684993896688520454374789863088/ArianeToussaint_What-the-swans-expo-8.jpg Valerio Conti, Unstitched Reverse, sculpture and prints https://freight.cargo.site/t/original/i/E2684994160845895589895569004208/ArianeToussaint_What-the-swans-expo-11.jpg A constellation of artworks creates an associative field that explores how contemporary life and work conditions alter the perception of the body and what impact they bring on the capacity to love. Cristina Lavosi introduces a voyeur, showing how other animals have been instrumentalised by humans in order to control and conquer. ‘Getting inside the head of an ox’ seeks more than the human perspective. Inviting the eye while performing ‘Mating rituals’, a Pink-nibbed popper, a Ball-tipped shaker and a Lumpbutt bouncer imitate what is considered to be 'sexy'. Sidney Mullis uses role-playing fiction to understand how sexuality is performed. The fantastic hybrids arise from studying National Geographic content and popular music videos that instruct how to perform sex appeal. Valentino Russo compiles gadgets in an altar of influencer ergonomics. The video ‘Ultraviolence’ characterises an entertainment culture where the identity is flattened, and the body is objectified. The online visual mass makes it hard to dissect truth from fiction, while the loose ‘facts’ are dulling the ability of compassion. https://freight.cargo.site/t/original/i/G2684994650016654936525458757296/ArianeToussaint_What-the-swans-expo-13.jpg Valentino Russo, Ultraviolence, video https://freight.cargo.site/t/original/i/M2684994844980293051561709786800/ArianeToussaint_What-the-swans-expo-14.jpg Sidney Mullis, Mating Rituals, video https://freight.cargo.site/t/original/i/S2684995423765335108272601290416/ArianeToussaint_What-the-swans-expo-15.jpg Cristina Lavosi, Getting Inside the Head of an Ox, video https://freight.cargo.site/t/original/i/P2684995558906182192268776429232/ArianeToussaint_What-the-swans-opening-2.jpg https://freight.cargo.site/t/original/i/L2684995747542587090022651254448/ArianeToussaint_What-the-swans-opening-6.jpg https://freight.cargo.site/t/original/i/I2684995829483024265440479532720/ArianeToussaint_What-the-swans-opening-7.jpg https://freight.cargo.site/t/original/i/A2684995971098678519308707288752/ArianeToussaint_What-the-swans-opening-8.jpg https://freight.cargo.site/t/original/i/V2684996187792581153174810121904/ArianeToussaint_What-the-swans-opening-15.jpg https://freight.cargo.site/t/original/i/U2684996232950210645615792477872/ArianeToussaint_What-the-swans-opening-13.jpg Eilit Marom, Slowly Letting go of Something, durational performance https://freight.cargo.site/t/original/i/E2684996319908162209082618795696/ArianeToussaint_What-the-swans-opening-16.jpg https://freight.cargo.site/t/original/i/Z2684996499358088558129136916144/ArianeToussaint_What-the-swans-opening-22.jpg Katayoon Barzegar detaches the many layers of restrictions political powers impose on individuals, opening a liminal space between the body and the internalised systems of power. ‘Replica’ evokes rituals that oppose classification and discriminatory systems that oppress the body in tangible and intangible ways. Valerio Conti reflects the interdependency of the individual and the society that is contained in the inability to exist as a sole, while at the same time one needs to protect oneself from the threatening environment. Extracting stills from gay pornography, ‘Unstitched reverse’ materialises the distant bodies that state both the staged intimacy and an internal urge for closeness. Julia Sterre Schmitz questions the establishments that distribute the images and the authority of their creators. ‘Speaking in Tongues’ is an ode to cunnilingus, showing revolutionary female pleasure. ‘Slowly letting go of something’ attends the rousing process of reducing tension. Aspiring the never-ending touch, Eilit Marom, in a durational performance, encourages softness. https://freight.cargo.site/t/original/i/K2684999248919079720832643487408/ArianeToussaint_What-the-swans-opening-19.jpg https://freight.cargo.site/t/original/i/I2684999541908715843561451804336/ArianeToussaint_What-the-swans-opening-17.jpg https://freight.cargo.site/t/original/i/N2684999687103038447729332573872/ArianeToussaint_What-the-swans-opening-21.jpg Photography: Arianne Toussaint https://freight.cargo.site/t/original/i/V2685010816614033927060528158384/ArianeToussaint_What-the-swans-expo-6.jpg Julia Sterre Schmitz, Speaking in Tongues, video https://freight.cargo.site/t/original/i/B2782456942181000116425799882416/ArianeToussaint_What-the-swans-expo-1.jpg What the Swans Are Twittering About in the Riverbed at Trixie The Hague (on the corner from the Hague’s Red Light District) https://elenaapostolovski.com/on-point-of-climax 2026-02-06T21:22:59+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2685025864656192520069516220080/20240309-Helena-Roig-Climaz0511-Mejorado-NR.jpg Kexin Hao, Forceful Catering https://freight.cargo.site/t/original/i/R2685032559883507328877565695664/20240309-Helena-Roig-Climaz0936-Mejorado-NR.jpg https://freight.cargo.site/t/original/i/F2685032909209499852715344647856/20240309-Helena-Roig-Climaz1136-Mejorado-NR.jpg https://freight.cargo.site/t/original/i/K2685033810867903431564518086320/20240309-Helena-Roig-Climaz0684-Mejorado-NR.jpg https://freight.cargo.site/t/original/i/I2685033878936389063552763549360/20240309-Helena-Roig-Climaz0542-Mejorado-NR.jpg https://freight.cargo.site/t/original/i/G2685037140154720598738103293616/20240309_HelenaRoig_Climax0005.jpg Stephanie Pan, How To Not Know https://freight.cargo.site/t/original/i/U2685039189053031609731710834352/20240309_HelenaRoig_Climax0007.jpg https://freight.cargo.site/t/original/i/T2685039563595723282330446845616/20240309_HelenaRoig_Climax0008.jpg https://freight.cargo.site/t/original/i/O2685039619194209920491035416240/20240309_HelenaRoig_Climax0009.jpg https://freight.cargo.site/t/original/i/V2685039746163149379833879189168/20240309_HelenaRoig_Climax0003.jpg https://freight.cargo.site/t/original/i/H2685039997739845057084744128176/20240318_HelenaRoig_Climax0015.jpg Julia Sterre, Come Here https://freight.cargo.site/t/original/i/I2685040836255043671626122385072/20240318_HelenaRoig_Climax0013.jpg https://freight.cargo.site/t/original/i/Q2685043699780019721707238839984/20240309_HelenaRoig_Climax0035.jpg https://freight.cargo.site/t/original/i/G2782459990985073642845652768432/20240309_HelenaRoig_Climax0023.jpg Kexin Hao, Forceful Catering https://elenaapostolovski.com/a-less-obedient-verison-of-alexa 2026-02-06T21:22:59+00:00 always 0.5 https://freight.cargo.site/t/original/i/D2697538939970272269442998458032/230519_KaJu_CarmenTrixieExpo-16.jpg Carmen Roca Igual, A Less Obedient Version of Alexa, sound design: Lance Laoyan, voice: Carmen Dusmet Carasco https://freight.cargo.site/t/original/i/U2697539092856887152347762251440/230519_KaJu_CarmenTrixieExpo-11.jpg https://freight.cargo.site/t/original/i/Y2697539337977222403800284124848/230519_KaJu_CarmenTrixieExpo-20.jpg https://freight.cargo.site/t/original/i/O2697539370056110347981194385072/230519_KaJu_CarmenTrixieExpo-26.jpg <div style="text-align: right">Gossip Quarters, 2023 Room divider (wood, paint, metal) 300 x 180 x 2</div> https://freight.cargo.site/t/original/i/I2697540178521562866449713059504/230519_KaJu_CarmenTrixieExpo-37.jpg <div style="text-align: right">María Pilar Antonia Josefa Santa Iranzo Barceló señora de Enrique Julio Roca Rodríguez doctor en arquitectura, 2023 Mixed-Media (metal, leather, paper) 100 x 7 x 2</div> https://freight.cargo.site/t/original/i/Y2697540231851099983544026781360/230519_KaJu_CarmenTrixieExpo-46.jpg <div style="text-align: right">Tacones Lejanos, 2023 Mixed-Media (leather, paper, resin) 20 x 10 x 7</div> https://freight.cargo.site/t/original/i/U2697540353950099007427548927664/230519_KaJu_CarmenTrixieExpo-40.jpg <div style="text-align: right">J’ai un caractère de merde et je l’assume, 2023 Mixed-Media (metal, leather, paper) 120 x 5 x 3</div> https://freight.cargo.site/t/original/i/L2697540542236015767780942272176/230519_KaJu_CarmenTrixieExpo-48.jpg https://freight.cargo.site/t/original/i/W2697540606615152585027277412016/230519_KaJu_CarmenTrixieExpo-82.jpg https://freight.cargo.site/t/original/i/O2697540797022444913857269192368/230519_KaJu_CarmenTrixieExpo-98.jpg https://freight.cargo.site/t/original/i/G2697541132531826126486593984176/230519_KaJu_CarmenTrixieExpo-31.jpg https://freight.cargo.site/t/original/i/N2697541553984587978528719754928/230519_KaJu_CarmenTrixieExpo-36.jpg <div style="text-align: right">A less obedient version of Alexa, 2023 Mixed-Media (wood, fabric, carpet, metal, leather, paper) 200 x 400 x 1200</div> https://freight.cargo.site/t/original/i/Y2697541623381239183824052934320/230519_KaJu_CarmenTrixieExpo-29.jpg https://freight.cargo.site/t/original/i/M2782461046526216284579905787568/230519_KaJu_CarmenTrixieExpo-16.jpg Carmen Roca Igual, A Less Obedient Version of Alexa, sound design: Lance Laoyan, voice: Carmen Dusmet Carasco https://elenaapostolovski.com/all-game-no-play 2026-02-06T21:22:59+00:00 always 0.5 https://freight.cargo.site/t/original/i/E2689727554294310408689063155376/all-GAME-no-PLAY.jpg https://freight.cargo.site/t/original/i/N2689728663128096679370210793136/1T0A5988.jpg Maria Chiara Ziosi, Some Songs, interactive installation https://freight.cargo.site/t/original/i/R2689729348055704136205862295216/1T0A5966.jpg https://freight.cargo.site/t/original/i/J2689729388306499705040103921328/1T0A5954.jpg Kexin Hao, Future Dance of Nostalgia, interactive installation https://freight.cargo.site/t/original/i/G2689729481425663789125920478896/1T0A5980.jpg https://freight.cargo.site/t/original/i/A2689729574286573456179803313840/1T0A6014.jpg https://freight.cargo.site/t/original/i/B2689729807969927381932403185328/1T0A6052.jpg Clara Pallí Monguilod, Suspensions https://freight.cargo.site/t/original/i/Y2689729903874549821148362036912/1T0A6045.jpg https://freight.cargo.site/t/original/i/U2689730440859269806833409578672/1T0A6093.jpg WHERE: GALLERY SKC AND CLUB PALACH, RIJEKA, CROATIA. WHEN: NOVEMBER 2022. THANKS TO STUDENT INTERNATIONAL FILM FESTIVAL STIFF, CROATIAN MINISTRY OF CULTURE AND STROOM DEN HAAG. EXHIBITION DOCUMENTATION BY TANJA KANAZIR. https://freight.cargo.site/t/original/i/W2689730637759816049609163527856/1T0A6106.jpg https://freight.cargo.site/t/original/i/P2689730727540119456353551242928/1T0A6118.jpg Lucija Ostrogović, Apartmentization Inside and Out https://freight.cargo.site/t/original/i/P2689730870244131610570642544304/1T0A6146.jpg Nikolina Krstičević, Ruke pune straha https://freight.cargo.site/t/original/i/D2689731703668028860768184555184/1T0A6156.jpg Sidney Mullis, Foundation, book of poems https://freight.cargo.site/t/original/i/I2689732371790652466454434535088/1T0A5007.jpg Maria Chiara Ziosi, Some Songs, performance https://freight.cargo.site/t/original/i/X2690247289980421601998756239024/1T0A6185.jpg https://freight.cargo.site/t/original/i/I2690260837324609566514591684272/1T0A5429.jpg dance improvisation workshop: How to Visit the Exhibition? with Kristina Paunovski https://freight.cargo.site/t/original/i/Q2782463690996106459360096802480/1T0A6045.jpg https://elenaapostolovski.com/in-transmission 2026-02-22T17:15:15+00:00 always 0.5 https://freight.cargo.site/t/original/i/A2689642264924535385186527205040/_MG_6506.jpg https://freight.cargo.site/t/original/i/Z2689825290678436144006390208176/18.jpg In Transmission questions corporeality and the ways in which it is formed/deformed through time, virtual and physical space, how it intertwines with ideologies. Artworks explore bodies in digital engagement as an extension of human relations and acknowledge human perception that enables pleasure, pain, and spending time in spaces of imagination. Artists study movement semiotics in different environments and play with the notion of materiality to reshape the relation of the body and surroundings. They imagine gestures as tools of resistance and pull back the stretched boundaries of our bodies that everyday life expects of us. <gallery-grid columns="2" gutter="1rem" mobile-gutter="1rem"><media-item class="zoomable" grid-span="2" hash="V2689827123676054516303405635248"><figcaption class="caption" slot="caption"> WHERE: GALLERY SKC, RIJEKA, CROATIA. WHEN: NOVEMBER 2021. THANKS TO STUDENT INTERNATIONAL FILM FESTIVAL STIFF, STUDENT CULTURAL CENTRE IN RIJEKA AND UNIVERSITY RIJEKA. EXHIBITION DOCUMENTATION BY TANJA KANAZIR. https://freight.cargo.site/t/original/i/M2689825884534468108937985382064/3.jpg 𝑨𝒏𝒅 𝒊𝒇, 𝒘𝒆 𝐇𝐈𝐆𝐇-𝟓 @ 𝑯𝒚𝒑𝒆𝒓𝒕𝒆𝒙𝒕 𝑻𝒓𝒂𝒏𝒔𝒇𝒆𝒓 𝑷𝒓𝒐𝒕𝒐𝒄𝒐𝒍, S4RA https://freight.cargo.site/t/original/i/V2689827123676054516303405635248/1.jpg WHERE: GALLERY SKC, RIJEKA, CROATIA. WHEN: NOVEMBER 2021. THANKS TO STUDENT INTERNATIONAL FILM FESTIVAL STIFF, STUDENT CULTURAL CENTRE IN RIJEKA AND UNIVERSITY RIJEKA. EXHIBITION DOCUMENTATION BY TANJA KANAZIR. https://freight.cargo.site/t/original/i/J2689827709009690719181187962544/4.jpg https://freight.cargo.site/t/original/i/E2689829587533873465393376777904/7.jpg https://freight.cargo.site/t/original/i/R2689829841969814474069222217392/9.jpg https://freight.cargo.site/t/original/i/C2689829967721268824547235583664/10.jpg Što vidimo gledajući kroz prozore sučelja? Kako doživljavamo sebe? S4RA (PT) zamišlja tijelo izmijenjeno u aplikacijama društvenih medija i mrežnim platformama. Šest GIF animacija serije 𝑨𝒏𝒅 𝒊𝒇, 𝒘𝒆 𝐇𝐈𝐆𝐇-𝟓 @ 𝑯𝒚𝒑𝒆𝒓𝒕𝒆𝒙𝒕 𝑻𝒓𝒂𝒏𝒔𝒇𝒆𝒓 𝑷𝒓𝒐𝒕𝒐𝒄𝒐𝒍 donose pogled na digitalno tijelo: bez čvrste konstrukcije i kompaktne mase, iskrivljeno i privučeno ljudima s druge strane žice, gnjecavo i usamljeno. Mateja Zidarić (HR) u intimnom radu Plejade u iskrenom razgovoru s prijateljicom otkriva promjene u vlastitom tijelu, koristeći mitologiju kako bi im pripisala drugo značenje i dekonstruirala strah. Predmetno tijelo očituje se i u radu Waste in Paradise. Sean Kobi Sandoval (SAD) razmatra autodestrukciju u prikazu mladih ljudi iznevjerenih od strane sistema u kojem se ne prepoznaju. Opipljiv audiovizualni esej The Blind Point Daria di Paolantonio (IT) oponaša perceptivni sustav krpelja kako bi doveo u pitanje našu sposobnost razumijevanja drugih bića ali i samih sebe. Jednom izmijenjeni tehnologijom, kako se vraćamo u fizički prostor? Dora Brkarić (HR) u radu an_hum_an nalazi sličnosti i razlike između tijela i krajolika. Vizualna studija geste dovedena do apstrakcije Sleight of Hand Adama Wynna (UK) kolaž je fragmenata preuzetih s video kazeta mađioničara Tommya Coopera. Never Neverland Michaela Flemminga (NL) intenzivan je pogled na društvo opsjednuto savršenstvom i dominacijom. Ghinwa Yassine (CA) uzima gestu kao simbol revolucije zamišljajući udarac koji je prosvjednica uputila naoružanom libanonskom policajcu kao simbol otpora. https://freight.cargo.site/t/original/i/Z2689830030440198675159711078064/11.jpg https://freight.cargo.site/t/original/i/T2689830667387824796276818826928/14.jpg Možemo li se uvjeriti u nešto ako dovoljno puta to ponovimo? Claudia Borgna (IT) uzima taj zadatak video performansom We Are Making Art, smještajući lik domaćice u kontekst umjetničkog stvaralaštva kako bi potaknula razgovor o ne/vidljivosti ženskog umjetničkog rada. Mark Zimmerman (US) suočava se sa fragilnošću svoje muškosti u tihom tantrumu One Shake Two Straws uzrokovanim raspadom životnih planova. Lily Dean (UK) se nadovezuje na sistem ‘u kojem je možda zabavno, ali ništa nije fer’ i radom Joy Land nas uvodi u predstavu o toksičnoj muškosti - tradicionalnim stereotipima koji često promoviraju nasilje i dominaciju kao rodne karakteristike. Kexin Hao (CN) stvara koreografiju rekonfiguracije prošlosti u sadašnjosti, mapirajući prakse tjelovježbe u političkom kontekstu. Pozvani smo izvesti Total Body Workout u kojem je svaka pojedina vježba razotkrivena kao dio nacionalne strategije. Što proizlazi iz ludila uzrokovanog osjećajem zarobljenosti? Studies for Long Take prati u dugom kadru izvedbu umjetnice Luize Perito (BR) koja istražuje odnos tijela i kamere. Rad Facing non-objects, can we still run? Mike Megensa (NL) & Sid Dankersa (BE) dokumentira trodnevni performans izveden tijekom manifestacije the Hague Contemporary Art Weekend, a temelji se na improvizaciji i igri u interpretaciji umjetničkih prostora putem video prijenosa. Apstrakcija prostora očituje se u animiranom filmu Marcella Mostoha (HU) Avant koji crtežom istražuje energije bivanja u prostoru. Imaginacija je mjesto na koje odlazimo, što nas vraća u sadašnjost? https://freight.cargo.site/t/original/i/S2689830872312704711116227729072/19.jpg https://freight.cargo.site/t/original/i/D2689830973142607818012636862128/20.jpg https://freight.cargo.site/t/original/i/Y2689831606400885124387834287792/21.jpg https://freight.cargo.site/t/original/i/P2782463983081852122477137090224/_MG_6562.jpg 𝑨𝒏𝒅 𝒊𝒇, 𝒘𝒆 𝐇𝐈𝐆𝐇-𝟓 @ 𝑯𝒚𝒑𝒆𝒓𝒕𝒆𝒙𝒕 𝑻𝒓𝒂𝒏𝒔𝒇𝒆𝒓 𝑷𝒓𝒐𝒕𝒐𝒄𝒐𝒍, S4RA https://elenaapostolovski.com/on-point-of-oversight 2026-02-06T21:23:00+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2689784100593105820548105361072/181768293_175930497735462_2808937058502450761_n.jpg https://freight.cargo.site/t/original/i/E2689784378419518314687662249648/181500238_2227056174091122_1133850474358153191_n.jpg https://freight.cargo.site/t/original/i/P2689784587826957039438492194480/181194384_231768712074108_5072678096208597943_n.jpg WHERE: PIK FACTORY ATTIC (MMSU RIJEKA), RIJEKA, CROATIA. WHEN: MARCH 2021. THANKS TO STUDENT INTERNATIONAL FILM FESTIVAL STIFF, EPK RIJEKA 2020, AND MUSEUM OF MODERN AND CONTEMPORARY ART IN RIJEKA. CONCEPT IS COLLABORATIVELY MADE WITH PETRA ČARGONJA AND SETUP WITH DAMJAN ŠPORČIĆ. https://freight.cargo.site/t/original/i/C2689784879027258987017474004656/180701174_1673947666147660_4369623326090443507_n.jpg https://freight.cargo.site/t/original/i/Z2689785132301055119049617692336/179844801_1673947826147644_4670080195341895658_n.jpg https://freight.cargo.site/t/original/i/O2689785317118983993545615333040/179591882_1673947916147635_915789560672040398_n.jpg https://freight.cargo.site/t/original/i/E2689900298275786339573884638896/IMG_20210502_092043_211.jpg https://freight.cargo.site/t/original/i/K2689901204103154079081416742576/180681663_1673947619480998_4318174763694355348_n-1.jpg Algoritmi oblikuju naša mjesta udobnosti - sigurne prostore u kojima se dobacujemo vlastitim odrazom i stvaramo utočište od sve kompleksnije realnosti globalnih odnosa. Druga strana ove ‘pogodbe’ sveprisutni je nadzor koji amplificira nelagodu kojoj pokušavamo umaći. Tehnologija može biti alat za mučenje, sredstvo samodiscipliniranja, iznenadni napad panike ali i sredstvo otpora, utopijski prostor. Kako s njom pregovaramo, kako joj umičemo ili je prigrljujemo, koliko je ona pasivni produžetak naših infantilnih želja ili sredstvo emancipacije i promjene, kako intimno tako i na nivou zajednice? Petra Čargonja https://freight.cargo.site/t/original/i/E2689901369828702837288028460720/IMG_20210502_092043_257.jpg https://freight.cargo.site/t/original/i/W2689901471894537797122977552048/IMG_20210502_092043_272.jpg https://freight.cargo.site/t/original/i/B2689901578572058775385314547376/IMG_20210502_092043_280.jpg https://freight.cargo.site/t/original/i/K2689901631809362172111080511152/IMG_20210502_092043_283.jpg https://freight.cargo.site/t/original/i/S2690177002240797082051976484528/mapa-logo.jpg https://freight.cargo.site/t/original/i/U2690193967268599814957568480944/tocka-previda-1.jpg https://freight.cargo.site/t/original/i/K2690194338546217786509713856176/tocka-previda-2.jpg https://freight.cargo.site/t/original/i/N2690199439771930442001698641584/tocka-previda-2-1.jpg https://freight.cargo.site/t/original/i/T2690199586036164202444733404848/tocka-previda-2-3.jpg https://freight.cargo.site/t/original/i/K2691504450992076209488862238384/179521677_1673947779480982_8590476471888013298_n.jpg https://freight.cargo.site/t/original/i/U2782473051667259454756097480368/IMG_20210502_092043_211.jpg https://elenaapostolovski.com/sound-occupations 2026-02-06T21:22:59+00:00 always 0.5 https://freight.cargo.site/t/original/i/W2689670247270236141121821857456/IMG_1175.jpg https://freight.cargo.site/t/original/i/Q2689670850312746654760773736112/IMG_1184.jpg Martina Hrlić Rogić & dance troupe FLAME, Hodogram, performance in public space https://freight.cargo.site/t/original/i/U2689672190892978723455018325680/OTVORENJE--1.jpeg https://freight.cargo.site/t/original/i/I2689672643926566429687896463024/OTVORENJE--8.jpeg https://freight.cargo.site/t/original/i/F2689672918783053127960215541424/OTVORENJE--4.JPG https://freight.cargo.site/t/original/i/Z2689673020553740182615811806896/IMG_1097.jpg WHERE: GALLERY SKC, POP-UP GALLERY, PUBLIC SPACE AND RADIO ROŽA, CROATIA. WHEN: NOVEMBER 2020. THANKS TO STUDENT INTERNATIONAL FILM FESTIVAL STIFF, STUDENT CULTURAL CENTRE IN RIJEKA AND UNIVERSITY RIJEKA. EXHIBITION DOCUMENTATION BY LAURA ŠLAJHERT, KLARA DUJMOVIĆ, ANA KLEPO. https://freight.cargo.site/t/original/i/I2689673088493098606088090408624/OTVORENJE--7.JPG https://freight.cargo.site/t/original/i/Q2689673333539646881245774075568/IMG_1055-2.jpg https://freight.cargo.site/t/original/i/K2689673382128370771396733032112/31.jpg https://freight.cargo.site/t/original/i/T2689673946930780820235784410800/IMG_1390.JPG https://freight.cargo.site/t/original/i/A2689674021289606181358986974896/IMG_1393.JPG Exhibition in SKC Gallery, Rijeka https://freight.cargo.site/t/original/i/H2689674097197958044673791874736/IMG_1398.JPG https://freight.cargo.site/t/original/i/I2689674208487165041363516774064/IMG_1425.JPG https://freight.cargo.site/t/original/i/B2689674542004297894032209991344/IMG_1400.JPG https://freight.cargo.site/t/original/i/Q2782474168525379397500900071088/IMG_1175.jpg https://elenaapostolovski.com/at-once 2026-02-06T21:22:59+00:00 always 0.5 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https://freight.cargo.site/t/original/i/O2781993856611959981812505499312/1T0A7689.jpg https://freight.cargo.site/t/original/i/E2781994121414971159913118946992/1T0A7768.jpg https://freight.cargo.site/t/original/i/E2781994245838259937084044596912/1T0A7773.jpg photos: Tanja Kanazir https://freight.cargo.site/t/original/i/E2781994944361117776243635639984/1T0A7798.jpg https://freight.cargo.site/t/original/i/D2782001195132580873093748479664/1T0A7365.jpg photo: Tanja Kanazir https://freight.cargo.site/t/original/i/I2782476430612711668355795637936/1T0A7379.jpg https://elenaapostolovski.com/throw-the-stone-first 2026-02-09T16:40:36+00:00 always 0.5 https://freight.cargo.site/t/original/i/N2782006874276338613832275842736/1T0A1322.jpg https://freight.cargo.site/t/original/i/Z2782006973925650100011273672368/1T0A1303.jpg https://freight.cargo.site/t/original/i/K2782007054482581469900885579440/1T0A1301.jpg https://freight.cargo.site/t/original/i/C2782019997917261949313420220080/1T0A1291.jpg https://freight.cargo.site/t/original/i/B2782020398303842069179238045360/1T0A1251.jpg https://freight.cargo.site/t/original/i/Z2782020453810094986971278857904/1T0A1259.jpg https://freight.cargo.site/t/original/i/L2782020718926700814324954683056/1T0A1199.jpg <column-set gutter="1"><column-unit slot="0">Naziv izložbe referira se na biblijsku priču o grešnosti koja nas poziva da pogledamo u svoju nesavršenost kao temelj empatije i jednakosti. Baci kamen prvi poziv je na suočavanje sa vlastitim strahovima, žudnjama i stanjima, te poziv na iskrenost. Tara Glavan, istražujući vlastiti osjećaj srama, uvodi u pitanje intimnog odnosa sa vlastitim tijelom. Video ‘ad nauseam’ istražuje na koji način aktiviramo vlastita tijela i sa kojim mislima se osvrćemo na vlastite postupke? Lana Kovačević kroz pokušaj distanciranja od anksioznosti ulazi u ljubavni odnos sa njom utkajući refleksije u lutkicu ‘Jasàm’. Fabijan Škarić poziva na suradnju u kolektivnom stvaranju poezije, ‘Vježbanjem poniznosti’ testira vlastiti pojam veličine: Koliko smo spremi/e dijeliti spotlight? Hommage neodlučnosti Lare Grdinić posveta je predomišljanju, prihvaćanju nepredvidivosti, uživanju u slučajnostima i vječnoj nesavršenosti - koja je zajedička svakom ljudskom biću. Autori/ce izložbe suočile/i su se rano u procesu s pojmom osude - bilo u vidu straha od osude drugih, bilo prepoznajući osuđujuće tendencije u sebi samima. </column-unit><column-unit slot="1">Ranjivost je naposlijetku onaj sastojak koji im omogućuje da počinju ostvarivati intimnost sa sobom i zamišljati konture autentičnog zajedništva u društvu u kojem postoji nebrojena nomenklatura zajednica no rijetko da se uopće pitamo što je to što zajednicu čini. Koje su to osobine koje možemo njegovati u sebi samima ne bismo li ostvarili ono za čime čeznemo? Baci kamen prvi izložba je treće generacije polaznika radionice Gledanje naglavačke koju provodi nezavisna inicijativa Spačke u sklopu programa udruge Drugo More. Radionica je fokusirana na korištenje metoda suvremene umjetnosti kao alata za razvijanje kritičkog mišljenja i re/imaginaciju svakodnevice mladih. Susreti su održani u prostorima Galerije Studentskog Kulturnog Centra a izložba se materijalizira u prostoru DeltaLab. Studentice druge godine kulturologije Lana Kovačević i Tara Glavan te učenik trećeg razreda gimnazije Fabijan Škarić suočili su se s temama mentalnog zdravlja i utopije koje su se realizirale u autorske radove pod mentorstvom Elene Apostolovski i Petre Čargonja. photos: Tanja Kanazir </column-unit></column-set> https://freight.cargo.site/t/original/i/G2782020954159581242269156890288/1T0A1176.jpg https://freight.cargo.site/t/original/i/I2782021200331380905923123205808/1T0A1164.jpg https://freight.cargo.site/t/original/i/V2782021279062084612515489502896/1T0A1169.jpg https://freight.cargo.site/t/original/i/I2782021424496214889641594443440/1T0A1145.jpg https://freight.cargo.site/t/original/i/B2782021707764416885525469058736/1T0A1128.jpg https://freight.cargo.site/t/original/i/B2782021810660355328677347972784/1T0A1125.jpg https://freight.cargo.site/t/original/i/X2782477439723399476563107239600/1T0A1322.jpg https://elenaapostolovski.com/ide-ide-identitet 2026-02-06T21:22:59+00:00 always 0.5 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https://freight.cargo.site/t/original/i/S2782237653190409960863245391536/ne-damo-vam-sve_51219083962_o.jpg https://freight.cargo.site/t/original/i/X2782239584527620990105880483504/ne-damo-vam-sve_51219797381_o.jpg photos: Tanja Kanazir https://freight.cargo.site/t/original/i/U2782479321365081971232210278064/ne-damo-vam-sve_51219797431_o.jpg https://elenaapostolovski.com/gender-in-the-nettle-2 2026-02-06T21:23:00+00:00 always 0.5 https://freight.cargo.site/t/original/i/Q2692969867055906539099514066608/ruk16.jpg https://freight.cargo.site/t/original/i/I2692970043683481044868470789808/ruk7.jpg Josipa Baljak, poezija Petre Čargonja prevedena u okuse https://freight.cargo.site/t/original/i/U2692970162037791021788953958064/ruk6.jpg https://freight.cargo.site/t/original/i/N2692970354345097990211029554864/ruk2.jpg https://freight.cargo.site/t/original/i/C2692970712709995110166488798896/ruk9.jpg Josipa Baljak, poezija Petre Čargonja prevedena u teksture https://freight.cargo.site/t/original/i/V2692970751798645802357028673200/ruk10.jpg https://freight.cargo.site/t/original/i/R2692971479209104860945777546928/ruk12.jpg https://freight.cargo.site/t/original/i/C2692971648015259879461884384944/ruk14.jpg https://freight.cargo.site/t/original/i/T2692971676183438080016369702576/ruk15.jpg Katarina Mustapić, video https://freight.cargo.site/t/original/i/F2692971719477946421012687345328/ruk18.jpg https://freight.cargo.site/t/original/i/D2692972120399482119016082167472/ruk3.jpg Anja Sabol i Sara Blažević, perfromans https://freight.cargo.site/t/original/i/B2782479899688955426100362991280/ruk16.jpg https://elenaapostolovski.com/gender-in-the-nettle 2026-02-06T21:23:00+00:00 always 0.5 https://freight.cargo.site/t/original/i/E2692964526299222086489001547440/josipa.jpg https://freight.cargo.site/t/original/i/U2692964655629344787266667927216/josipa3.jpg https://freight.cargo.site/t/original/i/X2692964701487950554508613244592/josipa2.jpg Josipa Baljak pristupa prikazu svojeg tijela i tijela svog partnera kao masi čij reljef oblikuje i bilježi fotografijom. Serijom fotografija “Josip(a)” fragmentira muško i žensko tijelo, prepletanjem dijelova tijela i boranjem kože prestaje biti jasno o kojem se dijelu i čijeg tijela radi. "Koristim oblikovanje pomoću najvećeg ljudskog organa na tijelu kao motiv za seriju fotografija. Apstraktnim prikazima kože gubi se prepoznatljivost rodnih i spolnih razlika." https://freight.cargo.site/t/original/i/U2692965120800890094000431027888/natali2.jpg Natali Šajbić u radu “To sam ja!” također se bavi samoreprezentacijom kroz seriju fotografija u koje intervenira tekstom. Čitav je rad u “nije me briga” tonu, uključujući i postav koji pomalo podsjeća na zidove soba srednjoškolaca. Natali prolazi put oslobođenja od normi ženskog postojana portretirajući sebe ali i druge žene te pratećim komentarima koji ostaju neopterećeni od “pritiska izgledanja i bivanja ženskim produktom”. TEKST: Petra Čargonja https://freight.cargo.site/t/original/i/R2692965326832574653262413026992/kristian.jpg Kristian Bosak izlaže “Profil”, instagram profil koji obuhvaća kombinaciju izrazito “testosteronskih” odlika sa nježnim i pomalo erotskim naglascima, dozom drskosti i beauty filtera te duhovitih tekstova koji parodiraju uobičajeni ‘caption diskurs’ društvenih mreža. "Za prvi dojam nema druge šanse. Atipičnom prezentacijom muškarca na društvenim mrežama (postignutom korištenjem rodno neuobičajenih filtera, odjeće i poza) postavlja se kritika rodnih stereotipa i normalizacije narcisoidnosti unutar virtualnih okvira." https://freight.cargo.site/t/original/i/S2692965402740926516577217926832/nicole2.jpg Nicol Načinović radom “Mamin junak, tatina princeza” bavi se onim elementarnim čime nas kultura daruje, pa čak i prije rođenja - ustaljenim vjerovanjima i tipiziranim ulogama namijenjenim djevojčicama i dječacima. Nicol u ambijentalnoj instalaciji rekonstruira škole našeg djetinjstva: zelene klupe, hrvatski grb, školski pribor i školske pisanke koje se rodno profiliraju. Dječak je sportski tip kojem je samo nebo granica, a Curica je tatina mazica, razmažena princeza. Nicol u pisanke upisuje “klasične” izjave koje služe kao rodni korektiv i poziva posjetitelje da dopišu čime su njima punili glavu kada su bili mali. https://freight.cargo.site/t/original/i/V2692965502814513116451535443632/nicole3.jpg https://freight.cargo.site/t/original/i/V2692965564518872043009985599152/nicole.jpg https://freight.cargo.site/t/original/i/X2692965649373894782073923032752/nikolina2.jpg https://freight.cargo.site/t/original/i/Q2692965677929454608176308934320/nikolina.jpg “Koja guza” Nikoline Janjić prikazuje stereotip koji definira važnost guze u današnjem hiperseksualiziranom društvu i sav trud koji bi osoba trebala uložiti da tu guzu i stvori, oblikuje pa i održava. Nikolina ironičnim video radom prikazuje muškarce kako u teretani rade na svojoj stražnjici. Video je izložen na velikoj televiziji, a ispred njega je postavljena fotelja u koju je posjetitelj pozvan uroniti i upustiti se u promatranje eksponirane muške guze, čime se eksponira i sam promatrač u činu promatranja, kako bi se taj uobičajeni kulturni fenomen “dobrih guza”, ali i voajerizma, doveo u pitanje. https://freight.cargo.site/t/original/i/F2692965826481084633759328097968/razgovor-2.jpg https://freight.cargo.site/t/original/i/X2692965996430937784845427136176/razgovor-5.jpg https://freight.cargo.site/t/original/i/H2692966337400555243292779206320/katarina.jpg https://freight.cargo.site/t/original/i/S2692966390010669341512420415152/katarina2.jpg Katarina Musap, izrađuje interaktivan objekt koji poziva na redefiniranje oblika koje vezujemo sa “muškim” i “ženskim”. Kroki aktova prekriva površinu deset kocaka koje se angažmanom posjetitelja preslaguju u razne apstraktne kompozicije. Radom “Bez glave i repa” Katarina potiče stvaranje nove slike muškog i ženskog tijela. "Slaganjem muških i ženskih figura u geometrijska tijela kocke gubi se početak i kraj pojedinog tijela. Oni se iznova slažu i miješaju u nove apstraktne kompozicije i time gube početna rodno-spolna obilježja - tijela postaju linije, izražajno sredstvo kojim stvaramo crtež." https://freight.cargo.site/t/original/i/K2692966467191846545913184376496/baletan.jpg “Baletan” Lane Gržetić donosi slikovnu priču uobičajene rutine baletana pred nastup koji nanosi “scenski make-up” u 4 fotografije te se osim toga videom evidentira baletni nastup koji slijedi. Taj isječak iz života prikazuje obično rodno profilirane prakse poput šminkanja kao sastavni dio rada bilo kojeg scenskog umjetnika. https://freight.cargo.site/t/original/i/A2782480156190931771031678211760/josipa.jpg https://elenaapostolovski.com/edition-3 2026-03-02T17:09:02+00:00 always 0.5 https://elenaapostolovski.com/suita-o-buri-1 2026-02-06T21:23:00+00:00 always 0.5 https://freight.cargo.site/t/original/i/W2782336722573155950580191319728/WhatsApp-Image-2025-12-23-at-15.12.26.jpeg https://freight.cargo.site/t/original/i/M2782336778319216541330456303280/WhatsApp-Image-2025-12-23-at-15.12.27-1.jpeg https://freight.cargo.site/t/original/i/Z2782336849007139831785458095792/WhatsApp-Image-2025-12-23-at-15.12.26-3.jpeg https://freight.cargo.site/t/original/i/T2782336938805889982603555362480/WhatsApp-Image-2025-12-23-at-15.12.26-1.jpeg https://freight.cargo.site/t/original/i/L2782337066770953621926714922672/WhatsApp-Image-2025-12-23-at-15.12.25-3.jpeg 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https://freight.cargo.site/t/original/i/B2694425290352451443582669543088/bizzarri_nicola_referring_to_an_idea_2022-12.jpg Nicola Bizzari, Reffering to an idea https://freight.cargo.site/t/original/i/Q2694425907838762566936200337072/5.jpg Jeni, How to become a) fearless b) horse https://freight.cargo.site/t/original/i/Z2694540938617306471243163489968/jeni-fountain-screen2.jpg Jeni, How to become a) fearless b) horse https://freight.cargo.site/t/original/i/J2694542837838736068157469218480/20220825_111726.jpg Jeni, drawings https://freight.cargo.site/t/original/i/L2694543286703359613731988690608/bizzarri_nicola_referring_to_an_idea_2022-5.jpg Nicola Bizzari, Referring to an idea, detail: Paper made from horse manure https://freight.cargo.site/t/original/i/X2694547147459320288551465506480/bizzarri_nicola_referring_to_an_idea_2022-13.jpg https://freight.cargo.site/t/original/i/W2782507546765082642364557022896/bizzarri_nicola_referring_to_an_idea_2022-1.jpg Nicola Bizzoari, referring to an idea https://elenaapostolovski.com/list-of-projects 2026-03-28T16:25:58+00:00 always 0.5 https://freight.cargo.site/t/original/i/P2861958697764461117971232052912/IMG_2195.jpeg https://elenaapostolovski.com/nav-—-desktop 2026-03-15T13:42:15+00:00 always 0.5 https://freight.cargo.site/t/original/i/E2692959779656824015842017924784/shell-heart.png https://freight.cargo.site/t/original/i/E2782175752170744832595560093360/spiral-shell_1f41a.png https://elenaapostolovski.com/mobile-menu-icon 2026-03-15T13:42:15+00:00 always 0.5 https://elenaapostolovski.com/mobile-footer-links 2026-03-15T13:42:15+00:00 always 0.5